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Prominent gender theorist Judith Butler proposes the theory as a repeated stylization of the body, strictly regulated and structured by any present cultures frame of reference.[4] Yet in a separate dissertation, Butler contradicts her former conclusions and allocates gender as a repetitive performance with no concrete origin, a self-fulfilling cycle constituted by the very expressions that are said to be its results.[5] Scholar and associate professor Jennifer Drouin says similarly in the discussion of drag, using Butlers findings to claim that the art of all gender parody is acceptable since gender is a concept with no definition.[6] But if gender is a framework with no first emergence, then how was its definition given

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