1960s formal dresses B7092 | Butterick Sewing Pattern Misses' Evening brocade (mixed fibres) Washing Instructions Red Carpet Elegant 1960s Evening
Description
January 1912 rich brocades, antique laces, gorgeous embroideries Byzantine splendor fringe, scallops, plaitings, deep colors, multitude of buttons classic style of hairdressing relieved in simplicity by jeweled Grecian bands inset with rhinestones also wide bands (about 3) of lace, beads, rhinestones, ribbon embroidery chiffon petticoats corsets: broad waisted, very little hip coverage is latest mode some prefer long hipped corsets deep belted skirts are pass underskirts of contrasting fabrics pure white pass, yellow white is in contrasting sleeves recommendations for elderly women: focus on line rather than color bright colors are for youths solid black ages avoid black & white, black plus touches of soft color ok white & pale colors: gray, taupe, brownish gray, greenish gray opals or pearls set in silver or platinum, never gold stout: do not push flesh up or down use corset to contain, then drape gown over transition from straight silhouette to draped & gathered February plastron girdle, slightly full overskirt tricolors one color with 2 shades of another curves rather than square points (eg on skirts) Indian influences (due to the Delhi Durbar) eg black & green bead embroidery loose circular trains trimming: narrow passementerie of rhinestones heavy brocades, weighty embroideries gradual departure from the slim silhouette simplicity in trimming, graceful lines references to French Revolution (high waistlines), 1850s (fuller skirts) some women not wearing corsets irregular outlines (asymmetry?) ribbon belts in contrasting color skirts of thin material, full at the waist, tapering toward ankle kimono sleeve on the wane trimming: knitted cord w/ crystal beads fichu effect on bodices defined (ie natural) waist line, but still see empire waist March flounces white, with or without a dash of color asymmetrical trimmings sharp angles sashes: long and short, fringed or tasseled worn side front or side back pleated and accordion-pleated skirts, held at the hem with a band of ribbon or hidden stitches touches of brilliant embroidery black & white ruffles drapery, often gathered into a jewelled galloon at hem or knees, or drawn back with blossoms April : Louis XV influences panniers: knee or below length overskirts hip focused, parted in front white chiffon Grecian hair center part, waved, bandeau less bodice trimming and flat draping revealing the natural lines of the shoulders

I went with simple silver accessories to keep the look streamlined

Made from a soft woven fabric, pair with heels and a clutch for a stunning, event-ready look.

Extra Tips: Letting the dressing chill for at least 30 minutes really helps the flavors come together

Devil in a Blue Dress is complete and satisfying in its own right
